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dinocology:

astrodidact:

Teenager from India invents device that can convert breath to speech

A high school student from India has invented a device that can convert a person’s breath into speech, to give millions of people around the world suffering from speech impediment a ‘voice’ for the first time.

Sixteen-year-old Arsh Shah Dilbagi has developed a new technology called ‘TALK’, which is a cheap and portable device to help people who are physically incapable of speaking express themselves. Right now, 1.4 percent of the world’s population has very limited or no speech, due to conditions such as Amyotrophic lateral sclerosis (ALS), locked-in syndrome (LIS), Encephalopathy (SEM), Parkinson’s disease, and paralysis.

http://www.sciencealert.com.au/news/20141509-26176.html

His name is Arsh Shah Dilbagi and he’s 16 years old. Gettin tired of sensationalized “mystery baby from a country where people are brown does a science thing!” articles. Use peoples names, don’t act so surprised when people of color are geniuses.

calibornsbottomboo:

a fairytale were a young girl is kidnapped and forced to marry a demon king and instead of being like no! never! shes like fine as long as i get to help you destroy and hes like lol cool but soon shes doing a bit too much and her husband king is like okay enough power and shes like bye see you in the dungeon and hes like what and hes dragged away cause now everyone is more loyal to her and she reigns over the underworld and the surface world with a cold iron fist




fuckyeahtattoos:

Done by Dan H. 

Toronto/Guelph Ontario Canada

http://instagram.com/tattoosbydanh


doxiequeen1:

Still quite a bit left to do, but it’s really coming together! I like the colors in this dress so much more then my red and white version. I think it looks a lot less juvenile and way more magical. 

It’s made from organza and chiffon with a tulle overlay and $60 of fake flowers.

I have information about how I’m making it here! And a video about it here

vrixie:

irisannwest:

do you ever

do you ever just have

that one class

that one freaking class

that just depresses you when you think about it because

oh god you hate it so much

The bourgeoisie




doctorcanada:

surroundedbyspace:

Nebula dress

I want


lena headey for evening standard magazine


modisoperandi:

batgirlofburnside:

The leather thigh-bag on the cover of Batgirl 37 is inspired by the bags made by Jungle Tribe LA!  If you are looking to make a cosplay of this outfit, you’d be best served by visiting their online shop

Hey camembertlylegal

moniquill:

Oh honey, that’s just how old houses are. They settle. They sometimes creak or groan, or quietly weep, or demand blood sacrifice in voices that sounds like the fluttering wings of a thousand moths. It’s just the house settling. For whatever it can get. Go back to sleep.




fuckyeahtattoos:

Foxy lady! by Mud,Nantes, France


jessehimself:

The Muse brothers had an incredible career. The story of the two black albino brothers from Roanoke, Virginia is unique even in the bizarre world of freaks and sideshow. They were initially exploited and then later hailed for their unintentional role in civil rights.

Born in the 1890’s the pair were scouted by sideshow agents and kidnapped in 1899 by bounty hunters working in the employ of an unknown sideshow promoter. Black albinos, being extremely rare, would have been an extremely lucrative attraction. They were falsely told that their mother was dead, and that they would never be returning home.

The brothers began to tour. To accentuate their already unusual appearance, their handler had the brothers grow out their hair into long white dreadlocks. In 1922 showman Al G. Barnes began showcasing the brothers in his circus as White Ecuadorian cannibals Eko and Iko. When that gimmick failed to attract crowds the brothers were rechristened the ‘Sheep-Headed Men’ and later, in 1923, the ‘Ambassadors from Mars’.

As the ‘Men from Mars’ the two traveled extensively with the Barnes circus. Unfortunately, while they were being fed, housed and trained in playing the mandolin, they were not being paid.

In the mid 1920’s the Muse brothers toured with Ringling Bros. and Barnum & Bailey Circus. In 1927, while visiting their hometown, their mother finally tracked them down. She fought to free her sons, some 20 years after their disappearance. She threatened to sue and the Muse brothers were freed.

The brothers filed a lawsuit for the wages they earned but were never paid. They initially demanded a lump-sum payment of 100,000. However, as time passed the Muse brothers missed the crowds, the attention and the opportunities sideshow provided. Their lawyer got them a smaller lump-sum payment and a substantial contract with a flat monthly wage. The pair returned to show business in 1928.

During their first season back they played Madison Square Garden and drew over 10,000 spectators during each of their performances. They made spectacular money as their new contract allowed them to sell their own merchandise and keep all the profits for themselves. In the 1930’s they toured Europe, Asia and Australia. They performed for royals and dignitaries including the Queen of England. In 1937 they returned to Ringling Bros. and Barnum & Bailey Circus for several years and finally ended their career in 1961 with the Clyde Beatty Circus.

The brothers returned to their hometown and lived together in a house they originally purchased for their mother. Neither brother married, though they were well known for their many extravagant courtships.

George Muse died in 1971 and many expected Willie to quickly follow his brother. Those people were wrong as Willie continued to play his mandolin and enjoy the company friends and family until his death on Good Friday of 2001.

He was 108 years old.

http://www.thehumanmarvels.com/willie-and-george-muse-the-men-from-mars/


freeglassart Asked:
You may get asked this a lot, so please excuse my ignorance - but how do you go about constructing character expressions and body language and such? Thanks!

My answer:

rufftoon:

makanidotdot:

Besides The Basics (construction of heads and skulls and muscles and skeletons and how they move), I’ll go over some things I’ve been trying to work on myself lately:

1. Treat expressions as a single gesture of the face/head, as opposed to a head and then individual features dumped on a plate and arranged into an expression.

First, just get down the big shapes of your expression, just like you would for a pose.  

So say I wanna do a low angle angry pose.  I know the features are gonna be all mashed down at the bottom because of perspective.

 Scribble it down

image

start to put on features

image

fix stuff

image

put on more stuff

image

fix stuff again

image

erasing and flipping and stuff a whole bunch until you are happy with it or stop caring

Whole head is a gesture!image

image

2. Just like a facial expression, jot down where the important parts of an entire pose goes first.  You can force the rest of the body to fit the pose.

So here I knew I wanted the shoulders tilted a certain direction, and te hand to be in that particular position in front of her face. 

image

image

image

That’s the simplest explanation I got.  Don’t be afraid to push and pull faces and bodies around! Worry about being “on model” last!

All great tips, plus bonus Zhao.

<3



fuckyeahtattoos:

I got this great piece named “Past meets future” from Alex Serrano, STADIUM TATTOO (Badajoz, Spain)



spicewitch:

lyndez:

lyndezart:

Something I’ve been working on for about a week and a half. Unfinished visually but finished for me emotionally e___e

New thing on my art blogg

!!!!! SCREECHES


fuckyeahtattoos:

Indian Ring-neck Parakeet behind an existing tattoo.

Nicholas Hart @ Deep Roots Tattoo in Seattle, WA

http://nickharttattoo.tumblr.com/



i'm sarah. sometimes i do art. you're cool, i'm cool, let's be friends.

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